Author: Gato
Exhibition “Light in Hypocracy” at RANM
La Real Academia Nacional de Medicina, expone la obra «Luz en Hipocratia»
“Médicos, enfermeras, acostumbrados a tocar la miseria del hombre, se pasean dando recetas, consejos, derrochando ternura y comprensión. Son capaces de combinar esa suerte de amor que profesan a la humanidad, con una especie de distancia que les protege del contagio del dolor de otros. Con todo, se angustian, sufren, se encariñan con los pacientes, con los que a veces establecen una verdadera relación de amistad”. Son palabras de la pintora Emma Cano, que expone en la Real Academia Nacional de Medicina una magistral muestra de su especializada obra sobre la relación médico-enfermo y la condición humana.
Exposición disponible en la Real Academia Nacional de Medicina del 14 de enero al 21 de febrero de 2014.
Exhibition “Luz en Hipocratia” in Centro Jesús Usón de Cáceres
The Centro de Cirugía de Mínima Invasión Jesús Usón in Cáceres hosts the travelling exhibition ‘Luz en Hipocratia’ by the painter Emma Cano. The artist looks for the human side of hospitals to capture it in her canvases, trying to express her emotions about the feelings of others. Her paintings are grouped into four thematic blocks “Surrender, Waiting, Routine and Life”.
Emma Cano Exhibition
New on TeleMadrid
News on TeleMadrid about Emma Cano’s exhibition “Luz en Hipocratia”.
Colour, pain and love in Mangola
Colour, pain and love in Mangola
Light in Hipocratia – Palma
Exhibition “Luz en Hipocratia” by Emma Cano in Palma de Mallorca
Exhibition “Colour, pain and love in Mangola (2015)” at my studio in Palma de Mallorca
Narrative video about the story behind the canvases.
Canvases from the exhibition.
Press cuttings
Exhibition “Light in Hypocracy” at the Palacio del Conde de Toreno, Oviedo
The artist Emma Cano opens an exhibition with her work “Luz en Hipocratia”.
“Light in Hippocracy”, a portrait of humanity in hospitals
When by chance I met Salvador, I would never have imagined that his friendship would open up a new path for me in painting, nor that I would have the possibility of living intense and new experiences that would mark my life perhaps forever. His proposal was audacious: to look for the human side of the hospitals and then take my impressions to the canvas. He wanted me to be his eyes, to see what he sees and interpret it.